31, WG22, M14, E29 / NG8, F15, MF2, D2, B1, NA0, C0

Stephen King, Everything's Eventual

Ich dachte, ich hätte mittlerweile alle Kurzgeschichtensammlungen von Stephen King auf dem Paperwhite, aber als irgendwie "Luckey Quarter" wiedergelesen wollte, fand ich ihn nicht in der Bibliothek und lud ihn mir runter. Viele Stories las ich nur quer, aber außer "Luckey Quarter" fand ich auch die Titelstory, "1408", "That Feeling, You can only say it in French", "Riding the Bullet" und "The Road Virus heads North" wieder unvergleichlich gut. Und natürlich machten sie auch wieder Lust auf mehr Kurzgeschichten von King.

24, NG6, M12, E22 / WG17, F12, D2, B1, NA0, C0

Stephen King, Later

Als ich den Band vorbestellte, hatte ich kaum Zeit mit der Synopsis verschwendet, weil das bei Stephen King eh überflüssig ist. Das bestätigte sich auch hier, wie King die Grundidee von 'The Sixth Sense' aufgreift und ausbaut ist einfach klasse zu lesen. Das einzige was mich störte, war dass es wieder viel zu kurz war, mehr eine Novelle wieder. Ist die Zeit der dicken Schinken bei ihm vorbei? Aber die Kürze machte die Story auch konzentrierter und vielleicht auch realistischer. Auf jeden Fall ein Genuß von vorne bis hinten. Wie immer.

130, WG64, M65, E119, C2, B10 / NG66, F65, D11, NA12

Neil Gaiman, The Sandman Library VIII: Worlds' End

In der gesamten Sandman-Serie geht es um Geschichten, Stories in allen Arten und Formen und in diesem Band scheint alles zu kulminieren. Unzählige Geschichten werden ineinander verschachtelt - wie russische Puppen wie Stephen King in seinem Vorwort bemerkt - bis sie am Ende in eine Geschichte münden, die der erste Erzähler ganz am Anfang in einer Bar erzählt. Aber ist dies auch wirklich der Abschluß?
Selbst nach kanpp 20 Jahren habe ich immer noch nicht genug vom Sandman und irgendwie war diesmal dieser Band an der Reihe. Vielleicht hänge ich auch noch "The Wake" dran, den hab ich auch schon länger nicht mehr gelesen ...
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These are great stories, and we're all lucky to have them. To read Now, and maybe again 'Then', later on, when we need what only a good story has the power to do: to take us away to worlds that never existed, in the company of people we wish we were ... or thank God we aren't.

(Stephen King, aus dem Vorwort zu Neil Gaimans Worlds' End, the Sandman Library VIII, 1994)

40, WG18, M23, E40

Stephen King, End of Watch (Bill Hodges Trilogy Book 3)

Der letzte Band mit Bill Hodges und vielleicht der beste, definitiv der traurigste. Und immer wieder gut zu lesen.
Übrigens fiel mir einmal mehr der Name Frederica Bimmel auf. Aber natürlich ist das Buch ja auch Thomas Harris gewidmet.
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He looks over at the card players as he says this, especially the two baldies. One looks good (as Hodges himself looks good), but the other is cadaverous and hollow-eyed. One foot in the grave and the other on a banana peel, Hodges's father would have said. And the thought that comes to him is too complicated - too fraught with a terrible mixture of anger and sorrow - to be articulated. It's about how some people carelessly squander what others would sell their souls to have: a healthy, pain-free body. And why? Because they're too blind, too emotionally scarred, or too self-involved to see past the earth's dark curve to the next sunrise. Which always comes, if one continues to draw breath.

(Stephen King, End of Watch, 2015)

39, WG17, M22, E39

Stephen King, Finders Keepers (Bill Hodges Trilogy Book 2)

Bei diesem Band interessierte mich neben Holly - die hier ein wenig in den Hintergrund gedrängt wird - die Story von Peter Saubers Zufallsfund und wie er mit dem Geld seine Familie über Wasser hält. Morris Bellamys Teil eher weniger, obwohl es dort auch schöne Stellen gibt.

For readers, one of life's most electrifying discoveries is that they are readers - not just capable of doing it (which Morris already knew), but in love with it. Hopelessly. Head over heels. The first book that does that is never forgotten, and each page seems to bring a fresh revelation, one that burns and exalts: Yes! That's how it is! Yes! I saw that too! And of course, That's what I think! That's what I feel!
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The things of the world fell by the wayside, you lost your speed and your eyesight and your fucking Electric Boogaloo, but literature was eternal, and that was what was waiting for him: a lost geography as yet seen by no eye but its creator's.
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Under such circumstances the question is beyond bizarre, but it's also sincere. Honest. Pete realizes that the fictional Andrea, Jimmy's first love, is real to this man in a way Pete's sister is not. No human being is as real to Red Lips as Jimmy Gold, Andrea Stone, Mr. Meeker, Pierre Retonne (also known as the Car Salesman of Doom), and all the rest. This is surely a marker of true, deep insanity, but that must make Pete crazy, too, because he knows how this lunatic feels. Exactly how. He lit up with the same excitement, the same amazement, when Jimmy glimpsed Andrea in Grant Park, during the Chicago riots of 1968. Tears actually came to his eyes. Such tears, Pete realizes - yes, even now, especially now, because their lives hang upon it - mark the core power of make-believe. It's what caused thousands to weep when they learned that Charles Dickens had died of a stroke. It's why, for years, a stranger put a rose on Edgar Allan Poe's grave every January 19th., Poe's birthday. It's also what would make Pete hate this man even if he wasn't pointing a gun at his sister's trembling, vulnerable midsection. Red Lips took the life of a great writer, and why? Because Rothstein dared to follow a character who went in a direction Red Lips didn't like? Yes, that was it. He did it out of his own core belief: that the writing was somehow more important than the writer.
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(Stephen King, Finders Keepers, 2015)

38, WG16, M21, E38

Stephen King, Mr. Mercedes (Bill Hodges Trilogy Book 1)

Nach 'If it Bleeds' war es eigentlich unvermeidlich, dass ich alle Bücher mit Holly Gibney darin nochmal lesen wollte, wenn auch mit übersprungenen Stellen zwischendurch oder etwas flüchtiger. Und auch ohne die Teile mit Brady bleibt das Buch ungeheuer spannend. Und wie auch schon bei den ersten Malen fragte ich mich, wie schwer es King fiel Janey zu töten, oder ob sie vielleicht als Charakter einfach zu perfekt war und dadurch verzichtbarer. Leichter als bei Bill Hodges im dritten Band war es aber wohl doch.

34, NG21, M17, E34

Stephen King, If it Bleeds

Ich hatte den neuen King-Band schon vor einiger Zeit blind vorgestellt und guckte auch jetzt nicht vor dem lesen in die Synopsis. Darum war ich etwas überrascht, dass es sich hier nicht um einen Roman sondern um längere Kurzgeschichten oder, im Fall von der Titelstory, eine Novelle handelte. Und dann noch überraschter, als sich die Titel-Novelle als neue Holly Gibney-Story entpuppte. Die anderen drei Stories hätten mir auch schon gereicht, aber spätestens da hatte ich das Gefühl, es könnte nicht besser kommen. Okay, vielleicht mit noch einer Holly-Story - aber wir wollen mal nicht zu gierig sein...
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Man, talk about your trips down Memory Lane. I saw emails from long ago, photos of my dad from before his hair started to go gray, and IMs back and forth between me and Billy Bogan. No news in them really, just jokes, and illuminating information like I just farted, and incisive questions like Did you do your algebra. We'd been like a couple of kids with Del Monte cans connected by a length of waxed string. Which is what most of our modern communications amount to, when you stop to think of it; chatter for the sake of chatter.
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(aus: Mr Harrigan's Phone)
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"I love you, Mom," Holly says, and ends the call.
Is that true? Yes. It's liking that got lost, and love without liking is like a chain with a manacle at each end. Could she break the chain? Strike off the manacle? Perhaps. She's discussed that possibility with Allie Winters many times, especially after her mother told her - proudly - that she voted for Donald Trump (oough). Will she do it? Not now, maybe never. When Holly was growing up, Charlotte Gibney taught her - patiently, perhaps even with good intentions - that she was thoughtless, helpless, hapless, careless. That she was less. Holly believed that until she met Bill Hodges, who thought she was more. Now she has a life, and it is more often than not a happy one. If she broke with her mother, it would lessen her.
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(aus: If it Bleeds)
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I love Holly. It's as simple as that. She was supposed to be a minor character in 'Mr. Mercedes', no more than a quirky walk-on. Instead, she stole my heart (and almost stole the book). I'm always curious about what she's doing and how she's getting along. When I go back to her, I'm relieved to find she's still taking her Lexapro and still not smoking. I was curious, frankly, about the circumstances that made her what she is, and thought I could explore that a little ... as long as it added to the story, that is. This is Holly's first solo outing, and I hope I did it justice.
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(aus: Author's note)
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(Stephen King, If It Bleeds, 2020)
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