Ross Wakeman succeeded the first time he killed himself, but not the second or the third.

(Jodi Picoult, Second Glance, 2003)
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Jodi Picoult, Second Glance

Obwohl primär eine Geistergeschichte wurden von Picoult wieder mehrere Themen zu einer faszinierenden Erzählung verflochten - Trauerarbeit, Vermont hinter den Kulissen der idyllischen Herbstlandschaften, mit einem ganz besonders intensiven Blick auf das Vermont Eugenics Project der 20er und 30er Jahre und dessen Auswirkungen auf die Abenaki, auf bizarre Weise miteinander verknüpfte Familienschicksale - das alles wurde zum Schluß so unerträglich spannend, dass ich das letzte Drittel fast in einem Rutsch auslas. Und das obwohl ich mich am Anfang noch schwertat in das Buch hineinzukommen, aber sobald die Charaktere erst einmal etabliert waren, ließ es mich nicht mehr los.
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Ross had gone to homes with the Warburtons where children had died of disease, or by accident. The mothers wore hope like mantillas, framing their faces as they waited for Curtis to give them back what they'd lost. In those cases, it was not moans and thumps and strange occurrences that had led to the call, it was the lack of them.
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She believed that unadulterated devotion had its share of protective power, as if love were a steel girder the Fates could not snip through. She also believed that the moment you relaxed your guard, the moment you were anything less than ferocious in your keeping, that was the moment it could all be snatched away.
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Shelby knew that some librarians felt the human brain was like a microfiche file, impossibly tiny images and words on transparent leaves, arranged page by page for a person's viewing pleasure. But every time she saw those miniature dossiers, she thought that if any part of the body were similarly catalogued, it would be the heart. She imagined autopsies, the organ sliced thin. One sliver would chronicle the way oyu had cherished a child; one would record the feelings you had for parents and siblings. Another, scarlet, might be etched with moments of passion; angels embracing on the head of a pin. And for those who were lucky, the thinnest slice would be teeming with memories of a love so strong it turned you inside out and left you gasping, and would be an identical match to a slice stored in the heart of a soul mate.

(Jodi Picoult, Second Glance, 2003)

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Jodi Picoult, Leaving Time

plus neu gelesen (als E-Book):
Bonus short story: Where there's Smoke

Ich weiß nicht, warum ich die Bonus Story über Serenity's Werde- bzw. Untergang als Medium erst jetzt fand, aber sie war nur ein Auslöser von vielen für mein Bedürfnis das Buch nochmal zu lesen. Hauptsächlich wollte ich einfach herausfinden, wie Picoult es hingekriegt hat, dass die Geistergeschichte trotz aller Argumente, die dagegen sprechen doch so überzeugend wirkt. Auch beim zweiten Lesen war sie noch tief bewegend.

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Jodi Picoult, Plain Truth

Endlich wieder ein E-Book, ich hatte es schon angefangen zu vermissen. Und endlich wieder ein Picoult, und dazu wieder so ein richtiger Knaller. Ganz abgesehen davon, dass es einen so tiefen Einblick in die Welt der Amish und ihrer Lebensanschauung gibt, war es wieder einmal sehr spannend und bewegend.
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I waited for Katie to make the connection, to say something about her own circumstances in relation to mine - but once again she surprised me. "You know what I noticed when I was with Jacob? In your world, people can reach each other in an instant. There's the telephone, and the fax - and on the computer you can talk to someone all the way round the world. You've got people telling their secrets on TV talk shows, and magazines that publish pictures of movie stars trying to hide in their homes. All those connections, but everyone there seems so lonely."

(Jodi Picoult, Plain Truth, 2015)

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Jodi Picoult, Nineteen Minutes

Ich hatte mir diesen Band kurz vor dem Urlaub auf den Paperwhite geladen, aber dann doch nicht auf Rügen gelesen - und das war auch gut so, weil die Story mir wieder so nahe ging, dass ich das Buch nicht aus der Hand legen konnte, was im Urlaub nicht so wirklich angebracht gewesen wäre. Faszinierend hier wieder wie Picoult das Unerklärliche greifbar macht und gleichzeitig ihre Story ganz unabhängig und eigenständig von der Wirklichkeit und dem Schrecken der wahren Ereignisse, die hier den Hintergrund lieferten, gestaltet. Wieder einmal ein anstrengendes, nahegehendes und fast verstörendes Buch.
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Everyone would remember Peter for nineteen minutes of his life, but what about the other nine million? Lacy would have to be the keeper of those, because it was the only way for that part of Peter to stay alive. For every recollection of him that involved a bullet or a scream, she would have a hundred others: of a little boy splashing in a pond, or riding a bicycle for the first time, of waving from the top of a jungle gym. Of a kiss good night, or a crayoned Mother's Day card, or a voice off-key in the shower. She would string them together - the moments when her child had been just like other people's. She would wear them, precious pearls, every day of her life; because if she lost them, then the boy she had loved and raised and known would really be gone.
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Dusty Spears understood kids like Drew Girard, because he had once been one. The way he saw it, bullies either were good enough to get football scholarships to Big Ten schools, where they could make the business connections to play on golf courses for the rest of their lives, or they busted their knees and wound up teaching gym at the middle school.

(Jodi Picoult, Nineteen Minutes, 2007)

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Jodi Picoult, My Sister's Keeper

Obwohl die Taschenbuchausgabe mittlerweile billiger ist als das E-Book, konnte ich einfach nicht länger widerstehen und lud es mir auf den Paperwhite. Und - natürlich - lohnte es sich doch, nicht nur wegen der unerwarteten Enthüllung am Ende der Anhörung und dem völlig überraschenden Ende (das vermutlich vielen Lesern das Buch verleidet hat), sondern auch weil viele Nebencharaktere genauso bewegend und mitreissend geschrieben sind wie die Hauptpersonen, und Picoult es schafft selbst die am negativsten erscheinende Figur der Mutter sympathisch und verständlich zu machen.

Normal, in our house, is like a blanket too short for a bed - sometimes it covers you just fine, and other times it leaves you cold and shaking; and worst of all, you never know which of the two it's going to be.
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Mr Hume, my science teacher, taught us about the primordial soup full of natural gases and muddy slop and carbon matter that somehow solidified into one-celled organisms called choanoflagellates...which sound a lot more like a sexually transmitted disease than the start of the evolutionary chain, in my opinion. But even once you get there, it's a huge leap from an amoeba to a monkey to a whole thinking person.
The really amazing thing about all this is no matter what yuo believe, it took some doing to get from a point where there was nothing, to a point where all the right neurons fire and pop so that we can make decisions.
More amazing is how even though that's become second nature, we all still manage to screw it up.
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When you have been with your partner for so many years, they become the glove compartment map that you've worn dog-eared and white-creased, the trail you recognize so well you could draw it by heart and for this very reason keep it with you on journeys at all times. And yet, when you least expect it, one day you open your eyes and there is an unfamiliar turnoff, a vantage point that wasn't there before, and you have to stop and wonder if maybe this landmark isn't new at all, but rather something you have missed all along.
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I try to work through the few things she has said, tracing them and trying to make sense of them the way the Greeks somehow found five points in the sky and decided it looked like a woman's body.
Then it hits me - I am looking in the wrong place. The Aboriginal people of Australia, for example, look between the constellations of the Greeks and the Romans into the black wash of sky, and find an emu hiding under the Southern Cross where there are no stars. There are just as many stories to be told in the dark spots as there are in the bright ones.
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There's an indigenous tribe in Africa that tells of life coming from the second star in Alpha Centauri, the one no one can see without a high-powered telescope. Come to think of it, the Greeks, the Aboriginals, and the Plains Indians all lived continents apart and all, independently, looked at the same septuplet knot of the Pleiades and believed them to be seven yuong girls running away from something that threatened to hurt them.
Make of it what you will.

(Jodi Picoult, My Sister's Keeper, 2004)

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Jodi Picoult, Vanishing Acts

Mein viertes Buch von Picoult ist der bisher am breitesten gefächerte - als ob die Kernstory von der Entführung noch nicht genug wäre, geht es hier um Alkoholismus, Gefängnisleben, Kultur und Traditionen der Hopi, mexikanische Hexen, die Arbeit der Rettungsspürhunde, die Authenzität und Manipulation von Erinnerungen - und alles wie immer unglaublich packend und nahegehend in einer faszinierenden Geschichte zusammengefaßt. So allmählich macht mich die Autorin süchtig.
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Sometimes parents don't find what they're looking for in their child, so they plant seeds for what they'd like to grow there instead. I've witnessed this with the former hockey player who takes his son out to skate before he can even walk. Or in the mother who gave up her ballet dreams when she married, but now scrapes her daughter's hair into a bun and watches from the wings of the stage. We are not, as you'd expect, orchestrating their lives; we are not even trying for a second chance. We're hoping that if this one thing takes root, it might take up enough light and space to keep something else from developing in our children: the disappointment we've already lived.
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I suddenly remember being very little and being embraced by my father. I would try to put my arms around my father's waist, hug him back. I could never reach the whole way around the equator of his body; although I'd squeeze hard, he was that much larger than life. Then one day, I could do it. I held him, instead of him holding me, and all I wanted at that moment was to have it back the other way.
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"It just goes to show you," my father told me, on the last good day, "the world's only as big as what you know."
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I realize suddenly, that everyone is a liar. Memories are like a still life painted by ten different student artists: some will be blue-based; others red; some will be as stark as Picasso and others as rich as Rembrandt; some will be foreshortened and others distant. Recollections are in the eye of the beholder; no two held up side by side will ever quite match.

(Jodi Picoult, Vanishing Acts, 2005)